Part visual mixtape, part speculative documentary, ‘all we got is us in the minute’ is a moving picture of the partnership and relationship of artist Coby Sey and artist Rebecca Salvadori.
Coby Sey and Rebecca Salvadori have distinctively intimate viewpoints on each other’s work. The artist and MC hasactually been workingtogether with the artist and filmmaker giventhat 2017 and throughout the course of their relationship Salvadori hasactually recorded the numerous various dealswith of the mercurial artist. Their Fact mix is a tribute to this relationship, part visual mixtape, part speculative documentary. The work follows a discussion inbetween the 2 that hasactually been unfolding for years, serving as both a moving picture of relationship and as an assemblage of scenes from 2 lives lived through art and music.
“For me, Rebecca’s subtle originality when approaching movie and visual art constantly reveals,” states Sey. “Rebecca is easily curious, constantly asking concerns, often direct and often discreetly. Rebecca understands the worth of permitting things to breathe and take shape in recording. There’s a fly on the wall aspect to it, where paperwork and magic is present or being summoned by the topics we’re seeing through her lens; through her eyes, through her ears.”
Over the last 6 years Sey hasactually launched numerous jobs, consistingof his veryfirst EP for ADVERTISEMENT93, 2020’s beautiful River and his necessary launching album, Conduit, hasactually tape-recorded and carriedout as part of Tirzah’s band, played alongwith members of CURL, the stretching neighborhood of artists and artists he established with Mica Levi and Brother May and gotinvolved in residencies with Tutto Questo Sentire, a cumulative including Salvadori herself, her sis, speculative soprano and author Olivia Salvadori and cellist Sandro Mussida.
Though comprehensive, this is just scratching the surfacearea of Sey’s abundant and differed practice, an ever-evolving procedure that Salvadori has regularly borne witness to as part of her own particular technique to filmmaking. “I’ve invested significant quantities of time either working or hangingout with Rebecca and picked to make the tracks for this film by merely believing about those minutes we’ve had together,” continues Sey. “I took a extremely instinctive method to these pieces and took my time as I tend to do with my music. To