‘Wicked,’ ‘Like a Bird’ Among Winners at 2025 Guild of Music Supervisors Awards: Full List

‘Wicked,’ ‘Like a Bird’ Among Winners at 2025 Guild of Music Supervisors Awards: Full List

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Wicked, A Complete Unknown and I Saw the TV Glow won for best music supervision in major budget, mid-level budget and low-budget films, respectively, at the 15th annual Guild of Music Supervisors Awards, which were held at The Wiltern Theatre in Los Angeles on Sunday, Feb. 23.

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Wicked fans had further cause to rejoicify: Wicked creator Stephen Schwartz received the Icon Award to celebrate his contributions to the music and film industries. Schwartz performed “Beautiful City” from the 1973 film adaptation of his 1971 musical Godspell.

The GMS Awards honors achievements in the craft of music supervision in film, television, documentaries, advertising, trailers and video games.

“Like a Bird” from the film Sing Sing won best song written and/or recorded for a film. But that doesn’t necessarily mean it’s headed for an Oscar victory for best original song on March 2. Of the nine songs to win in this category at the GMS Awards, just three went on to win the Oscar – “City of Stars” from La La Land, “Shallow” from A Star Is Born and “What Was I Made For?” from Barbie.

The field of nominees in this category at the two shows was very different this year. Just one other song, Diane Warren’s “The Journey” from The Six Triple Eight, was nominated at both shows. The other Oscar nominees are “El Mal” from Emilia Pérez (Clément Ducol, Camille and Jacques Audiard), “Mi Camino” from Emilia Pérez (Camille and Clément Ducol) and “Never Too Late” from Elton John: Never Too Late (Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin).

GMS awarded three songwriters for “Like a Bird” — Abraham Alexander, Brandon Marcel and Adrian Quesada – while the Oscars nominated just Alexander and Quesada.

Music producer and supervisor Bonnie Greenberg took the stage to accept the Legacy Award for her career in music supervision. Greenberg has worked on dozens of films, including Hairspray, My Best Friend’s Wedding, Pleasantville, What Women Want and It’s Complicated.

Kristen Anderson-Lopez and Robert Lopez won the GMS Award for best song written and/or recorded for television for “The Ballad of the Witches’ Road (Sacred Chant Version)” from Agatha All Along. The Lopezes’ previous collaborations have brought them two Oscars, two Grammys, a Primetime Emmy and assorted other awards.

Steve Schnur, music supervisor and executive at EA Games, won the most awards on the night – two for his work on video games EA Sports FC 25 and Dragon Age: The Veilguard

Alexander and Quesada performed “Like a Bird” at the GMS Awards. Danielle Ponder performed her nominated song “Egún” from Apple TV’s MANHUNT, and Role Model performed “Sally, When the Wine Runs Out” as the Spotlight artist of the evening.

The event was produced by the GMS Awards production committee: president Lindsay Wolfington, vp Heather Guibert, Janet Lopez, Priya Autrey and Joel C High. Show production was handled by Angelia Shepperd from ABS Collective with talent producer Julie Donsky, and technical production by Nick Urbom from Big Push Media Group.

Here’s a complete list of nominations for the 2025 Guild of Music Supervisor Awards, with winners marked.

Best Music Supervision in Major Budget Films

Jordan Carroll – Better Man

Dave Jordan – Deadpool & Wolverine

Julianne Jordan – The Instigators

Rachel Levy – Twisters

Tom MacDougall, Matt Walker – Moana 2

WINNER: Maggie Rodford – Wicked

Best Music Supervision in Mid-Level Budget Films

Deva Anderson, Rachel Lautzenheiser – The Piano Lesson

Iain Cooke – Back to Black

Pierre-Marie Dru – Emilia Pérez

WINNER: Steven Gizicki – A Complete Unknown

Frankie Pine – The Idea of You

Mary Ramos – The Greatest Hits

Best Music Supervision in Low Budget Films

WINNER: Jessica Berndt, Chris Swanson – I Saw the TV Glow

James Cartwright – Dandelion

Csaba Faltay, Milena Fessmann – Maria

Kier Lehman – Los Frikis

James A. Taylor – The Brutalist

Scotty Taylor – My Old Ass

Best Music Supervision in a Non-Theatrically Released Film

Joel C. High, Sami Posner – Meet Me Next Christmas

Susan Jacobs, Jackie Mulhearn – Out of My Mind

Rob Lowry – Sweethearts

Aminé Ramer – Lonely Planet

Morgan Rhodes – Thelma the Unicorn

WINNER: Robin Urdang – The Supremes at Earl’s All-You-Can-Eat

Best Song Written and/or Recorded for a Film

“The Idea of You” – The Idea of You; Songwriters: Carl Falk, Savan Kotecha, Albin Nedler; Performers: Anne-Marie, Nicholas Galitzine; Music Supervisor: Frankie Pine

“The Journey” – The Six Triple Eight; Songwriter: Diane Warren; Performer: H.E.R.; Music Supervisor: Joel C. High

“Kiss the Sky” – The Wild Robot; Songwriters: Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi; Performer: Maren Morris; Music Supervisor: Natalie Hayden

WINNER: “Like a Bird” – Sing Sing; Songwriters: Abraham Alexander, Brandon Marcel, Adrian Quesada; Performers: Abraham Alexander, Adrian Quesada; Music Supervisor: Dan Wilcox

“Out of Oklahoma” – Twisters; Songwriters: Luke Dick, Shane McAnally, Lainey Wilson; Performer: Lainey Wilson; Music Supervisor: Rachel Levy

“Why I’m Here” – Shirley; Songwriters: Samara Joy, Paul Sylvester Morton Jr.; Performer: Samara Joy; Music Supervisor: Madonna Wade-Reed

Best Music Supervision in a Television Drama

Deva Anderson, Rachel Lautzenheiser – Masters of th

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