13 riveting images from the 2025 Wildlife Photographer of the Year awards

13 riveting images from the 2025 Wildlife Photographer of the Year awards

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a big cat with flamingo in its mouth dead


“Cat Amongst the Flamingo.” Dennis had been keeping an eye out for wild cats such as servals for several days when a call came over the radio: one had been seen at Ndutu Lake. But it wasn’t a serval. It was a caracal, successfully hunting wading lesser flamingos.

Caracals have a varied diet, from insects to antelope, and are renowned for the acrobatic leaps they make to snatch birds from the air. But there are few, if any, records of them hunting flamingos.
 

Credit: Dennis Stogsdill / Wildlife Photographer of the Year


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At Serengeti National Park in Tanzania, a caracal chomps on its lunch of fresh flamingo. With an icy stare and pep in its step, the big cat skips away with the lifeless bird. This is the scene photographer Dennis Stogsdill witnessed and his image of the encounter earned top honors at the 2025 Wildlife Photographer of the Year awards in the “Behaviour: Mammals” category.

A record-breaking 60,636 entries from 113 countries and territories entered this year’s contest, now in its 61st year. South African wildlife photographer Wim van den Heever earned the prestigious title of Wildlife Photographer of the Year 2025 for his striking image, “Ghost Town Visitor” (seen below).

For almost 10 years I have been visiting Kolmanskoppe in Namibia. This abandoned Ghost Town that used to be a diamond mine is slowly being reclaimed by the harsh Namib desert. From day one I have always dreamt about a photograph of an elusive and endangered Brown Hyena prowling the abandoned streets at night. I only once saw a set of Hyena footprints next to the ruins, but I knew the area is known for fairly good Brown Hyena activity. I spoke to the security guard at the entrance of the Ghost Town about the frequency of sightings within the Ghost Town. He told me that they pass through every 4 to 6 weeks on average so I knew there was always going to be a possibility. Every single time I visited the Ghost Town I’d set up camera traps in the hope of success. It took me 10 years to finally get this one single image of a Brown Hyena in the most perfect frame imaginable. I was ecstatic when I finally had success.
“Ghost Town Visitor”
Winner, Urban Wildlife
Wim van den Heever (South Africa) photographs this haunting scene of a brown hyena among the skeletal remains of a long-abandoned diamond mining town.
With sea fog rolling in from the Atlantic Ocean, Wim chose this spot for his camera trap after noticing hyena tracks nearby. ‘It took me 10 years to finally get this one single image of a brown hyena, in the most perfect frame imaginable.’
The rarest hyena species in the world, brown hyenas are nocturnal and mostly solitary. They are known to pass through Kolmanskop on their way to hunt Cape fur seal pups or scavenge for carrion washed ashore along the Namib Desert coast.
Credit: Wim van den Heever / Wildlife Photographer of the Year 2025 Wim van den Heever

“This image is an eerie juxtaposition of the wild reclaiming human civilisation,” jury member Akanksha Sood Singh said. “The image is haunting yet mesmerising because the solitary hyena takes centre stage as a symbol of resilience amid the decay. This picture is a multi-layered story of loss, resilience and the natural world’s silent triumph, making it an unforgettable piece of wildlife and conservation photography.”

Wildlife Photographer of the Year is developed and produced by the Natural History Museum, London.

a bird flies over a fish that's eating another fish
Synchronised Fishing”
Winner, Behaviour: Birds
Qingrong Yang (China) perfects photographic timing to show a ladyfish snatching its prey from right under this little egret’s beak.
Qingrong was at Yundang Lake near his home, a place he visits regularly to photograph the feeding frenzies: little egrets patrol the surface, ready to pounce on fish leaping to escape underwater predators.
Once a natural marine harbour, Yundang Lake was sealed off from the sea during 1970s development. Isolated from the tides and currents, it became polluted and stagnant. An engineering project later reconnected it to the sea via a system of gates that regulate water flow. 
Credit: Qingrong Yang / Wildlife Photographer of the Year YangQingRong
Peppered moray eels (Gymnothorax pictus) hunt in the intertidal zone often coming completely out of the water in their pursuit. Image made on D'Arros Island, Seychelles.
“Like an Eel out of Water”
Winner, Animals in their Environment  
Shane Gross (Canada) witnesses a peppered moray eel very much in its element hunting for carrion at low tide.
It took Shane numerous attempts over several weeks to document this rarely photographed behaviour. At first the eels were elusive, but once Shane realised that they were scavenging for dead fish, he waited. His patience was soon rewarded when these three eels appeared. 
Peppered moray eels are well adapted to the intertidal zone. They can hunt both above and below the water’s surface using their keen senses of smell and sight, sometimes staying out of water for more than 30 seconds.
Credit: Shane Gross / Wildlife Photographer of the Year SHANE GROSS
A swell shark (Cephaloscyllium ventriosum) in egg casing off Monterey, CA.
Survival Purse”
Winner, Underwater
Ralph Pace (USA) beautifully illuminates the egg case of a swell shark, tethered to the base of a giant kelp.
Faced with strong currents pushing him from side to side, Ralph struggled to keep steady to photograph this egg case, or ‘mermaid’s purse’. He lit the case from behind to reveal the swell shark embryo within, its gill slits and yolk sac clearly visible among the dark kelp forest.
Researchers estimate that kelp forests in Monterey Bay have declined by more than 95 per cent over the past 34 years. Swell sharks depend on kelp to lay their leathery eggs, making them especially vulnerable to such losses.
Credit: Ralph Pace / Wildlife Photographer of the Year Ralph Pace
In June, I spent several days observing a tree hollow in a deep forest, where a pair of pygmy owls were nesting. Tragically, the female likely fell prey to a sparrowhawk or tawny owl, leaving the male to care for their young alone. When the time finally came for the young to leave the cave and sit on the branches, the male had a harder time looking after the young without the female. In the morning after the first night for the young outside the cave I discovered the male with an almost alive looking mouse in his claws. He was looking for his young and kept calling. Some time passed and he made no effort to eat the mouse himself, it was clearly destined for the young. I had the feeling that I could see his desperation in his searching look when I took this photo. In the days that followed, there was no sign of the fledglings. I suspect they fell victim to a tawny owl or marten on their first night outside. It was heartbreaking to witness, but such is the harsh reality of nature. Location: Germany (Near Nürnberg) No bait was used.
Sole Survivor
Winner, Rising Star Award
Luca had been watching a tree hole where this Eurasian pygmy owl and its mate were nesting. When one disappeared, the other continued feeding the chicks. On this day, the remaining bird returned clutching the chicks’ breakfast in its claws, and called for its mate, but there was no reply.
Credit: Luca Lorenz / Wildlife Photographer of the Year
yellow frogs on leaves
Frolicking Frogs”
Winner, Behaviour: Amphibians and Reptiles
Quentin Martinez (France) discovers a gathering of lesser tree frogs in a breeding event.
In persistent rain, Quentin followed a flooded path to a temporary pool in a forest clearing. He framed this scene with a wide-angle lens and used a diffused flash, which didn’t disturb the frogs, to highlight their metallic sheen.
To attract mates, lesser tree frogs produce short, shrill calls. Huge numbers gather, and the spectacular breeding event – triggered by heavy rains – lasts for just a few hours.
Credit: Quentin Martinez / Wildlife Photographer of the Year
orb spider in bubble of light
Caught in the Headlights”
Winner, Natural Artistry
Simone Baumeister (Germany) shows an orb weaver spider on its web on a pedestrian bridge, silhouetted by lights from the cars below.
To achieve this kaleidoscopic effect, Simone reversed one of the six glass elements in an analogue lens. This distorted the image at the edges while leaving the centre sharply focused. She then cropped the picture to move the spider slightly off-centre.
In urban environments, orb weaver spiders often spin webs near artificial lights that attract insects at night. The web acts as an extension of their sense organ, gathering sound and transmitting vibrations, including those of prey, to their legs.
Credit: Simone Baumeister / Wildlife Photographer of the Year Simone Baumeister
It was raining heavily on the small island of Heligoland, far out in the North Sea, when I walked along the shore, already completely soaked. I was hoping to photograph an animal in these heavy weather conditions, as I'm currently working on a rain series. I soon spotted a small group of harbour seals. They kept poking their heads out of the water of the North Sea, which was surprisingly calm at the time. Perfect to emphasise the thousands and thousands of raindrops falling on the surface of the water. Fully stopped down to avoid any foreground/background blurring of the lens and be able to capture the vastness of the sea disappearing into the low-hanging clouds, I waited until one of the seals looked out from the perfect spot. A sandbank stretching out in front of the seals head made the water appear brighter and turquoise-colored, which led to the overall striped composition of the picture. Location: Helgoland No Bait was used-
Seal Serenity
Winner, Rising Star Award
It was raining heavily on the small island of Heligoland, far out in the North Sea, when I walked along the shore, already completely soaked. I was hoping to photograph an animal in these heavy weather conditions, as I’m currently working on a rain series. I soon spotted a small group of harbour seals. They kept poking their heads out of the water of the North Sea, which was surprisingly calm at the time. Perfect to emphasize the thousands and thousands of raindrops falling on the surface of the water.

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