Sabrina Carpenter Album Cover Controversy, Explained

Sabrina Carpenter Album Cover Controversy, Explained

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Topline

Sabrina Carpenter, one of pop music’s biggest new stars, unveiled the cover art for her upcoming album “Man’s Best Friend” on Wednesday, quickly setting social media ablaze with both fierce criticism of what some feel is a “degrading” cover, while others defend it as a clear work of satire.

Sabrina Carpenter’s album cover for “Man’s Best Friend” has sparked some controversy. (Photo by … More Gilbert Flores/Billboard via Getty Images)

Billboard via Getty Images

Key Facts

Carpenter announced “Man’s Best Friend” in a social media post Wednesday, attaching the album artwork, which depicts her on her knees with her hand on a man’s thigh, who is holding Carpenter’s hair in his hand.

Another image Carpenter posted, which appears to be an alternate cover or the album’s back cover, depicts a dog wearing a collar with a tag that says “Man’s Best Friend.”

The album cover immediately took social media by storm, drawing fierce criticism from social media users, columnists and a women’s charity who have said the cover is degrading to Carpenter, or to women.

Fans defended Carpenter, whose pop music often has a wry or ironic undercurrent, as making satirical commentary on misogyny.

The album drops Aug. 29, and Carpenter has already released the album’s lead single, “Manchild.”

Chief Critics

Glasgow Women’s Aid, a Scotland-based advocacy organization for women experiencing domestic abuse, slammed Carpenter in a post on Instagram on Thursday calling the album cover “regressive,” and stating it evokes “tired tropes that reduce women to pets, props, and possessions and promote an element of violence and control.” A column in The Telegraph Thursday complained in a headline that Carpenter’s “over-sexed, degrading new album cover has gone too far,” and the writer Poppie Platt noted Carpenter has many young fans and said her marketing is “troubling,” comparing it to TikTok trends like the “trad-wife” aesthetic that promote subservience to men. Some of the most-liked comments on Carpenter’s Instagram post of the album cover were critical. “Is this a humiliation ritual? WTH is this cover,” one comment, which garnered 8,000 likes says, while another commenter stated: “Explain to me again how this isn’t centering men? How this isn’t catering to the male gaze?”

Contra

Carpenter’s fans praised her cover as satirical. “I am a little concerned about people’s inability to immediately clock that the cover is obviously a commentary on the way women are treated,” one post on X, which garnered more than 44,000 likes, states. The fan cited her single “Manchild,” in which she pokes fun at men, as a hint the upcoming album may also be satirical. Entertainment editor at the U.K. publication Metro, Brooke Ivey Johnson, wrote Thursday that Carpenter “knew you’d hate her kinky album cover – that’s the point,” defending her as an “expert in shaping a narrative” and stating Carpenter’s brand is “built around men being little more than background noise.” Johnson called Carpenter’s aesthetic “a kind of satire: A knowing wink at how femininity is constructed, consumed, and commodified,” citing her new single “Manchild” as a “satirical exaggeration” of submissiveness to men.

Has Carpenter Responded To The Controversy?

No, Carpenter has not directly addressed the controversy over her album cover. But in a cover story in Rolling Stone published Thursday, Carpenter addressed critics of her sex-positive stage presence, stating

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