Dead Sea-based manufacturer and noise designer Yogev Freilichman comes together with Mexican video artist ERRANTH and Jerusalem art cumulative Excessive Productions to present Tectonic, a live, improvisational AV efficiency caught at ZIRA, a multidisciplinary area in Jerusalem devoted to brand-new and difficult art types.
“I desired to checkout numerous crossways inbetween loud textures and club-focused beats and shot to distill them down into one single-cell organism,” states Yogev Freilichman, the Dead Sea-based manufacturer and noise designer who, following launches with Failed Units, Zabra Records, A Flooded Need and Eternal Search, equates his club-centric take on speculative sound and improvisational synthesis in Tectonic, an extended truth efficiency recorded at ZIRA, a multidisciplinary area in Jerusalem. Presented in partnership with Mexican video artist ERRANTH and Excessive Productions, the Jerusalem art cumulative who likewise make AV works as Wackelkontakt, Tectonic integrates virtual architecture, IRL, DIY structures, lighting style and digital results to draw Freilichman’s noise out through numerous media in a efficiency that takes location in several websites of truth concurrently. As though in reaction to the fragmentation of the kind and medium of live efficiencies throughout the Covid-19 pandemic, Tectonic skewers the modern absence of agreement surrounding where truth is takingplace, in which worlds, online or natural, we genuinely exist and whether a efficiency in a virtual environment is any more genuine, or real, than one takingplace in physical area.
“Skeletal kinds of sounds clash with each other throughout the efficiency, feeding off one another, structure a disorderly, glitchy soundscape,” continues Freilichman. “After the music was madeup and the efficiency tape-recorded live, the video went through a heavy treatment procedure that utilized the raw videofootage as product, transforming it into a rough and dystopian visual hallucination.” U.I. functions enforced on the frame show visual concepts within the virtual environment, red scanner lines extended out throughout a gnarled, alien things, an ossified biological type suspended throughout an longlasting beach, throughout which Freilichman’s discordant sounds echo definitely. “The music that Yogev constructs, his damaged rhythms and disruptive breaks, sounds that hit with the dimorphous sound of post-technological landscapes, enabled us to regulate and imitate in image the intraposition of powders and clouds of points that collude with his environments, to assemble with the textures of his noise and the types of his rhythms,” discusses ERRANTH. “The expedition of image and 3D modelling likewise includes situations focused on the reflection and meditation of the body and area, taking into account not the human body, however the amorphousness that offers the significantdifference of the de-configuration of being.”
“The format of separating oneself into areas, into entities and in forming a combination of experiences, enables us to go through individual questionings about the sleepiness of the genuine, or about the dose of feelings and post-global firms that have to do with the instant feelings of the connection to the Net and its’ slackness of details, to the control of desire and to the charging and recreation of patterns. Therefore these types are semi-deserted areas, which if they were genuine would be simple to get lost within. The efficiency enabled us to replicate these problems by method of null analysis, or empty signifier. Taking this into account when observing the staging of the clip, within the lighting and the personality of the capture we began to create a subtle accompaniment, however highlighted it to the disruptive.” As Freilichman’s efficiency problems into silence, ERRANTH pulls focus on the now transfigured alien totem, litup with transcendent light, drifting in a vacuum, as though allofasudden transcendent of standard spectrums of sound, an empty signifier, rising with info indecipherable by human minds, a radiant icon to the dissolution of the genuine, both virtual and real.
A recording of Tectonic is out now on Kaer’Uiks, provided as part of their SIM series featu