Lee Isaac Chung’s ‘Twisters’ Touches Down at CinemaCon With Glen Powell, Daisy Edgar-Jones

Lee Isaac Chung’s ‘Twisters’ Touches Down at CinemaCon With Glen Powell, Daisy Edgar-Jones

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There are plenty of methods to explain what tookplace at Caesars Palace on Wednesday when Universal Pictures provided Lee Isaac Chung‘s Twisters to the Colosseum phase. Some examples: The movie whipped up a craze; unique videofootage spun through Sin City; action scenes blew away theater owners, andsoon, etc.

All of the above work as Universal debuted never-before-seen scenes of the summertime release courtesy of Chung and his castmembers Glen Powell, Daisy Edgar-Jones and Anthony Ramos, who turned up for an extended intro.

Chung was veryfirst to walk out — an look that significant his veryfirst time at CinemaCon — and the director stated that numerous in the audience may be questioning why he chose to dive into summerseason smashhit tentpole area after sculpting out a profession in independent movie. “I’ve been interested by twisters all my life,” he stated, including that he grew up in Arkansas, where twisters were simply a method of life. “When Twister came out in 1996, I was in high school, and was definitely enthralled.”

He stated in developing the world, “We actually desire to bring audiences up close to things that are larger than us and likewise produce an experience with things that bring us fear, wonder and respect.” He continued by stating that he did the verysame for himself by running straight into his worry and not away from it.

To develop an genuine experience, Chung stated his group worked with real weathercondition researchers and used real-life storm chasers to record real-life video. “This is indicated to be a cheerful, enjoyable trip,” Chung continued. He then stated he’s mindful that there’s a lot of pessimism out there about the natural world however he hopes his movie counters that by providing “joy and wonder and question” about the environment.

Chung then cleared the phase and invited his 3 stars, who invested the bulk of their time onstage describing the rigors of recording a catastrophe legendary. “We all signed on for this film thinking we would be on a soundstage covered in dots, possibly a fragile spritz on our dealswith,” Powell stated. But that was not the case. “We were on place in 120-degree heat, racing through the plains of the Midwest,” Ramos included.

Powell and Ramos traded anecdotes about the strength of the professional

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