Summerseason and sex: Jonas Brothers romp with a carefree, ’70s ambiance on ‘The Album’

Summerseason and sex: Jonas Brothers romp with a carefree, ’70s ambiance on ‘The Album’

2 minutes, 57 seconds Read


By calling their 6th release “The Album,” the Jonas Brothers make a subtle point.

It’s a blank slate.

Maybe they’ll stick to the R&B-dusted pop of “Sucker” and “Cool” from 2019’s resurgence “Happiness Begins.” Maybe they’ll look back at the power pop that drove “Burnin’ Up” and “Lovebug” more 15 years earlier.

Or perhaps they’ll funnel their maturity – all of the bros Jonas are now in their 3rd years of life – into a noise that is both Laurel Canyon/’70s radio kind of classic and newly zippy.

Indeed, the lots tunes on “The Album” punch with financial tunes and excellent tautness.

The background of summerseason laces the tracks together, while numerous of them consistof a variation on sex – either having it (“Summer Baby”), hoping to have it (“Vacation Eyes”) or thinking about having it (“Summer in the Hamptons”).

But Joe, Kevin and Nick aren’t simply randy.

“Little Bird” is a delicate rumination on parenthood, and album closer “Walls,” an Oasis-inspired collection of layered background vocals, crashing cymbals and Joe’s guttural singing, is a hurt plea for everlasting togetherness.

The opening track, “Miracle,” consistsof Joe screaming “New Jersey!” at the begin, a bit of a tone-setter and tip of the band’s roots.

Here are some of the highlights of where life hasactually taken the Jonas Brothers, and where they take fans on “The Album.”

‘Montana Sky’

With its shiny ambiance and incredible collection of voices on the chorus, this might haveactually been the style tune to a thoughtful ‘70s comedy. Georgia sundowns, New York nights and yes, Montana skies, supply the vibrant images as the people figureout that they’ve “seen the world,” and yet, “you’re still the where I desire to go.”


Take some pop-funk bass, beautiful singing and vocal impacts that would have sounded comfy on a Styx album in 1977 and revel in the tune that likewise pays tribute to the instrumentation of Earth, Wind & Fire. The pop mélange constructs to a lope then decreases for the chorus, all while maintaining huge swagger.


Perky acoustic guitar and a shuffle beat drive the tune, which name-checks cultural examples consistingof Jay-Z, the Jersey Shore, Springsteen and “Country Grammar” (hi, Nelly!). It’s an appealing swirl of musical designs – pop, disco, a whiff of hip-hop – loaded into a vigorous 2 minutes.

‘Waffle House’

The people have stated the tune was motivated by “Uptown Funk,” however ’70s vocalist Jay Ferguson would like a word thinkingabout the melodic tones of his “Thunder Island” in the chorus. Regardless, the message that Waffle House is the JoBros’ sanctuary for “deep discussions” and working things out is definitely initial. And it’s tough not to be swayed by the hectic synths that rain in the background of a excellent old-fashioned “na na na” fade out.

‘Vacation Eyes’

A delicious piano riff opens the sluggish tune, which cruises on its bass line. The bros’ Bee Gees-esque balancing that pops in and out and the swirling strings in the background are appealing enough. But then a harmonica break reveals up like a sax solo in a Lady Gaga tune: unanticipated, however insomeway fitting completely.

‘Little Bird’

All of the people are married with kids, making this ode to beingaparent not simply sweet however natural. For now, it’s “small hands covered around my finger,” however the fathers are levelheaded about having to let go in the future (“So please simply keep me in your heart/When you fly into someone else’s arms, little bird”). The acoustic guitar ballad doesn’t fit the ambiance of the re

Read More.

Similar Posts